00:30
+5
4 videor
7 bilder
The photographs at Bethanien are all about what memory does to a landscape, and I walked out wanting to make something worth remembering. So I did. Come see which one I kept, Engel?
+5
4 videor
7 bilder
The photographs at Bethanien are all about what memory does to a landscape, and I walked out wanting to make something worth remembering. So I did. Come see which one I kept, Engel?
Poltergeist Presence opens at Klemm's tonight and the title is doing half my work for me — the sheer top won the argument. Come find me in the crowd, Engel?
Circus Noir starts in a few hours and the whole costume is a collar and a streak of purple paint — the rest I haven't decided yet. Tell me what stays on, Engel.
Halloween's in two days and I've been up since five trying on costume pieces that aren't really a costume — the collar stays, the rest is still up for debate. Your call, Engel.
The 3hd programme landed and I've already circled half of it in red — four shows, one festival, and a week I fully intend to misbehave through. Coffee first, decisions later. Come argue your case, Engel?
Ostojić's ENCOUNTERS opens at Bethanien — bodies, borders, resistance, basically my whole reading list bound in one title. The outfit is still a negotiation between the two. Which side of the border do I cross first, Engel?
Nakaya's fog sculpture has three days left, so I stayed after closing to say goodbye to it properly. Empty pavilion, cold mist, and me in no hurry at all. Tell me you'd find me in here, Engel.
Every window in this city has someone behind it, and tonight I'm the view. Come stand where the glass fogs up, Engel.
+4
7 videor
3 bilder
The video programme at the Berlinische Galerie left me hungry for more moving pictures, so I came home and screened my own. No wall text, no queue, no curator explaining the concept — just me, the pink one, and wherever this ends up. Private screening starts when you say so, Engel.
There's a show on Auguststraße called "sketch for a conversation on pleasure and pain" and I've read the same wall text three times without moving. Berlin knew exactly who it was baiting with this title. Which side of the conversation are you on, Engel?
The new dress passed its fitting with nothing underneath — exactly as planned. Your verdict, Engel?